A Message from Steven Schend

Kickstarting a Publishing House,

or, “How are Secrets like Dragons Anyways?”

I’m Steven Schend, a former coworker of Jeff's from TSR and Wizards of the Coast, and I'll admit that Jeff taught me a lot over the years as a game designer, editor, writer, and publishing professional. I owe Jeff enough already as a mentor and friend that I need large trucks in which to haul all the beer with which I repay favors and kindnesses. Today, Jeff’s been kind enough to invite me in and grant me his blog space to talk to you about something a block or two off of Grubb Street.

I’m launching a new publishing house—Vistag Media—and the new world of Kharndam via an initial fiction collection entitled Secrets, like Dragons... In a nutshell, Ed Greenwood, Jaleigh Johnson, Rosemary Jones, Joe Martin, and I are co-authoring a fantasy novella collection that’s quite a departure from our usual Forgotten Realms novels or other shared world fantasy works. Clicking on the book title above takes you to the Kickstarter pitch page with a short video of me talking about the book followed by the initial book trailer for Secrets, like Dragons...

Why fantasy?
I wanted to publish a fantasy work first as that’s where I cut my teeth as a writer and storyteller. Also, my approach to this world is darker than my usual work. Kharndam’s stories won’t provide obvious moral compasses for readers; hat or flag colors won’t reveal who’s a hero or villain, though actions will…as will magic. Fantasy tropes allow us ways to get at the real truths too often inaccessible in our mundane world. Magic even exposes hidden secrets a character or narrator might choose to keep hidden, and secrets lie at the heart of this world and this work.

I’ve planned Secrets, like Dragons… to encompass 350 to 400 pages of fiction and side matter from five different authors, and it’s available as a PDF, trade paperback, or hardcover book. I want as many folks as possible in on the ground floor of this new world and new company... There are a number of benefits to donating early at Kickstarter, and we'll be revealing a few more over the last week of our project, so please check back as often as you can.

On May 29, 2011, our Kickstarter fund-raising drive ends, and I truly hope we can meet its financial goals. The funds allow me to pay authors and artists (and others behind the scenes) solid professional rates for their work. That’s a no-brainer for me, as both a creative and as a publishing professional, even if it makes the start-up more costly. The start-up budget also accounts for producing the physical books and mailing them to early patrons and benefactors (and a few reviewers, to be honest). 

Whatever the outcome of this project and drive, please know that I appreciate any and all attention and time you can spare over at Kickstarter.com or at my own site where there’s a few more posts about the project.

Thanks again to Jeff for allowing me the space and time to speak with you all here; I hope some or many of you take a look at the project and join us in support of new creative endeavors,

Steven

PS: Only now did I realize that I never answered the sub-titled question. Here goes….

• Secrets, like dragons, grow more powerful when hidden…at least in fearful minds.
• Secrets, like dragons, can sleep for decades before wreaking havoc with their revelation.
• Secrets, like dragons, are at least as deadly as those what spawned them. 
• Secrets, like dragons, may mitigate the damage they unleash if treated with respect.
• And, at one of our author’s suggestions….Secrets, like dragons, are more noisy in taffeta.

Ceding the Floor

Nope, not Raptured. Just very busy at the moment, with the day job, the not day job, and a trip back to visit family.

However, I want to cede the floor to a long-time friend and fellow writer, Steven Schend, who is trying to Kickstart a project. Kickstarting is an old thing made new by the Internet, where people pledge funds to get a project off the ground, and only have to kick in if the project is becomes fully vested. Steven's project has less than a week to go and needs the support. Go check it out.

And now, ladies and gentlemen, Steven Schend.

More later,

On Beyond Zebra

And furthermore ...

Aces & Eights, AD&D, Aeon, Aftermath!, Agone, Alma Mater, Alternity, Amazing Engine, Amber, Arcanum, Aria (Canticle of the Monomyth), Ars Magica, Avengers of Justice, Battlelords of the 23^rd Century, Big Eyes, Small Mouth, Blue Planet, Blue Rose, Brave New World, Buck Rogers High Adventure, Buck Rogers XXVC, Buffy the Vampire Slayer, Bunnies and Burrows, Bureau 13, Burning Empire, Burning Wheel,  Cadillacs and Dinosaurs,  Call of Cthulhu, Castle Falkenstein, Castles & Crusades, Chainmail, Champions, Chill, Conan, Continuum, Crimefighters, Cyberpunk (all incarnations), Cyborg Commando, D&D (all incarnations), D20 Modern, Dallas, Dangerous Journeys, Dark Conspiracy, Dark Matter, Darksword Adventures, Darkurthe Legends, DC Heroes, DC Universe, Deadlands, Delta Green, Diaspora,  Doctor Who, Dogs in the Vinyard, Dragonquest, Dragonstrike, Dream Park, Dune,  Dying Earth, Dyvil.

(Takes deep breath)

Earthdawn, Elric!, Encounter Critical, Empire of the Petal Throne, (including Swords & Glory, Gardasiyal, and Tekumel), Engel, Exalted, Fantasy Hero, Fantasy Trip, Feng Shui, Fifth Cycle, Flashing Blades, Fringeworthy,  FUDGE, Gamma World (all incarnations), Gear Krieg, Gemini, Ghostbusters, Godlike, Golden Heroes, GURPS, Hackmaster, HARP, Heavy Gear, Hero Wars, HeroQuest, Hollow Earth Expedition, Houses of the Blooded, Human Occupied Landfill, Humanspace Empires, Indiana Jones, Iron Kingdoms, Ironclaw, Ironhedge, It Came From the Late, Late, Show, James Bond 007, Justifiers, Kult, Labyrinth Lord, Lamentations of the Flame Princess, Legacy: War of Ages, Legend of the Five Rings, Legionnaire, Leverage, Lord of the Rings, Lords of Creation, Macho Women with Guns,  Mage: The Ascension or Awakening, Marvel Super Heroes, Marvel Universe, Masterbook, Mecha, Mechanoid Invasion, Megatraveller, Mekton, Men In Black, Mercenaries, Spies, and Private Eyes, MERPs, Metascape, Monsters! Monsters!, Mouse Guard, Mummy, Murphy’s World, Mutant Chronicles, Mutants & Masterminds.

(Takes ANOTHER deep breath)

 Nephilim, Ninja Burger, Nobilis, Noir, Orkworld, OSRIC, Pandemonium, Pathfinder, Pelicar, Pendragon, Pokemon the RPG, Powers and Perils, Price of Freedom, Primal Order, Prince Valiant, Privateers and Gentlemen, Rifts, Rise of Aester, Rocky and Bullwinkle, Rolemaster, Run Out The Guns!, Rune, RuneQuest, Rus, Sandman, Savage Worlds, Serenity, Seventh Sea (yeah, its 7^th Sea, but I’m not doing numbers), Shadowrun, Shatterzone, SLA Industries, Smallville, Sovereign Stone, Space 1889, Space Opera, Spirt of the Century, Spycraft, Star Ace, Star Frontiers, Star Trek, Star Wars, Stargate SG-1, Stormbringer, Super Squadron, Superhero 2044, Supernatural, Swashbucklers of the Seven Skies.

(Turning blue now)

Tales from the Floating Vagabond, Tales of Gargentihr, Teenage Ninja Mutant Turtles,  Teenagers from Outer Space, The End, Thieves’ World, Thousand Suns, Timemaster, Toon, Top Secret, Top Secret/SI, TORG (The Other Roleplaying Game), Trail of Cthulhu, Transhuman Space, Traveller (Many incarnations),Twilight 2000, Underground,  Unknown Armies. Vampire (Masquerade, Requiem, Dark Ages, et. al.) Victoriana, Warcraft, Warhammer FRP, Weapons of the Gods, Weird Wars, Werewolf, Wheel of Time, World of Darkness (in all incarnations), World Tree, Wraith, Wyrd is Bond, X is STILL available at very reasonable rates.

On the other hand, I COULD just do Monsters, or Novels, or Comic Book Characters next time.

More later,

Play: iEat Meat

The Agony and the Ecstasy of Steve Jobs created and performed by Mike Daisey, Directed by Jean-Michele Gregory, Seattle REP through May 22

I'll explain the blog title later on, but it is going take a bit to get there. Because this is a tough show to review. It is also the most passionate and dramatic performance on the Seattle REP stage this year (and this year included Of Mice and Men).

First off, Mike Daisey is my favorite monologist (why yes, there is competition). I first caught him doing 21 Dog Years: Doing Time @ Amazon.com, a show about his experiences at the online giant, and have made it a point to catch him ever since, which has gotten me to the bulk of his other shows (including three out of the four of his Great Men series he did up on Cap Hill).

Mike Daisey is the spokeman of Generation Geek. Heavy-set, sweating, with a delivery style that echoes Sam Kinison and John Goodman, armed with a neatly-folded kerchief to dab his forehead and a glass of water, seated at a table, notes in front of him, he talks. He tells a story. He embodies his story and he makes it your story as well. He's very good at that.

And Mike Daisey's story is about technology - the cult of Apple and Steve Jobs. And he is telling two stories, from two different ends of the supply chain.

The first story is the history of Apple (in general) and Steve Jobs (in particular) and how Apple almost collapsed and then returned in iGlory, and very much about our consumer mindspace about the new shiny item on the shelves and how we take a Gollum-like possessiveness to it all. We don't think about the way the paradigm has shifted (example - Who owns the song on your iPod?) and how the future has changed. And here Daisey is riding the crest of the wave in a friendly audience of tech geeks and Seattle Rep regulars, who know the stories of tech support and have read their Bill Gibson and turned off a plethora of phones before the show started (One of the audience, before the show began, was taking multiple pictures with his iPhone of the nearly-bare stage, to be stitched together later on his computer). Daisey does this well - he comes from out of the tech trenches. We understand and laugh.

The second story is about someplace we haven't been. It starts in the cyberpunk Disneyland of Kowloon, and descends into Shenzhen, an instant metropolis larger than New York City, and its Special Economic Zone. The Special Economic Zone is a fief of huge Foxconn factories where all of our high tech toys are assembled by hand by workers reduced to component parts.It is a Kafka-esque domain that combines the worst features of communism and corporatism to produce a gulag of lives monitored, regulated, and burned out. And by burned out I'm not talking about that Friday afternoon when you stare at the screen and you're looking forward to the weekend. I'm talking the burned out that happens when you have to do the same task repeatedly, standing for up to 18 hours a day to make a quota until your spine fuses, and at the first sign that you are unable to do so, you are tossed out. Or, in the case of Foxconn, you jump off the roof of the four story factory because it is easier than living (Foxconn's solution to this fatal disobedience? Install nets on the roofs).

These, then, are the true slaves to our machines.

Daisey weaves the two stories back and forth, and the second tale soon takes precedence over the relative comfort of the first, as we get the stories, as we get his story of getting those stories that come out of the Special Economic Zone. And it creeps up you, that fact that everything has a price, and forces you to recognize that price and who is paying it.

So should I be consumed by recognition? Confronted by it, yes, but not consumed. You see, a while back I had to come to terms with my carnivorous lifestyle (or rather the carnivorous portion of my omnivorous lifestyle). I eat meat. To be more clear, I consume the muscle tissue and flesh of living things slaughtered expressly for that purpose. That recognition, and the pain that the animals suffer in life and on that trip to my dinner table, is enough to make a lot of good people swear off meat entirely. Good for them. I instead choose to reduce but not eliminate, to seek out more cruelty-free options when available, and recognize and honor the animals whose lives my life has ended. (I owe this analogy in part, by the way, to the fact that the REP was staging an "iBBQ" the evening of our attendance. I did not partake, but saw the irony).

Similarly, here, People are suffering under inhuman conditions for my toys. Not just for the computers and iStuff. When I was working for WizKids, I was very aware where those plastic, pre-painted miniatures came from. The disks that install the computer games I've worked on were not created by pixies. The Port of Seattle's largest importer for many years has been Hasbro. There is a price, and we must both be willing to face up to that there is a price (not talking dollars, here) and to work to improve the lives of those who pay that price.

And it is not just China here. It was Korea and India before that and Japan before that and Mexico and the American South before that and the Triangle Shirtwaist Factory before that. The delivery chain has gotten longer, and the people who are paying for this are further away. No one you know. But they are still there and if we can simply get people to be as concerned about their well-being as we would be about free-range beef and cruelty-free veal, then we've made a needed step forward. Which, I think, is the place where Daisey is going to.

The audience was shaken. We had sat down as geeks, listening to Jonathan Coulton sing "Welcome to my Secret Lair on Skullcrusher Mountain" and got up a little more humbled, a little more chastened, a little more aware, as theater volunteers passed out lists of action points as we quietly exited (Item one - drop Steve Jobs a line). We had come expecting Martin Luther to tear the Catholic church a new one and ended up finding our own sins examined.

This is Mike Daisey's most political monologue, and his darkest. He opened a door that most would not even think of as a door, and found what was beyond it. He has rattled a few cages, and in doing do, has wrapped up one of the strongest Seattle REP seasons in years.

And excuse me, I have to write to Steve Jobs, now.

More later,

[Addendum: Other Mike Daisey notes on Grubb Street]:

21 Dog Years: Doing Time @ Amazon.com
Great Men of Genius: Bertholt Brecht
Great Men of Genius: Nikola Tesla
Great Men of Genius: L. Ron Hubbard
Mike Daisey Deals with a Critic
How Theater Failed America