OK, after By the Skin Of Our Teeth, I was looking at redemption here. Not to bash on the Thornton Wilder play TOO much, but even the best reviews touted the actors and the stage settings, and not a one called out Thornton's words to praise (the general consensus was "Allegory!"). So I stand by my previous review, and looked at the Rep to pull out of a middling first showing.
And they did so. Primary Trust is a perfect little play, well acted and directed, and is the first play in a long time that made me say "Wow, I wish I had written that". Its a Pulitzer winner, which usually leaves me cautious, but it is really, really good.
Here's the summary - Kenneth (Stephen Tyrone Williams) is a lonely man. He works in a used book store. He drinks and eats dinner at a local Tiki bar. He doesn't have any close friends, except maybe Bert (Andrew Lee Creech). And Bert has his own challenges (no, I'm not going to do spoilers on this one. I go into these plays mostly blind, and I have no idea if I would have reacted differently if I knew what was going on before). Anyway, Kenneth is trapped in the routines of his life, and the story is how he gets untrapped.
And that's about all there is to it. It is a real simple, sweet story. And it is so well-written and well-presented.
Let me rave on the actors for the moment - Stephen Tyrone Williams is a kind, endearing Kenneth. He's well-intentioned and introverted and uncomfortable and a little broken and scared of the world around him. Williams has previously been in Rep productions - August Wilson's Fences and the Piano Lesson, He captures the chaotic internal voice of Kenneth, turning on a dime from budding confidence to overwhelming panic attacks and back again, pulling the audience along. He's just really good in this role.
Allyson Lee Brown matches him step for step as a cascade of waitstaff at Wally's Tiki Bar, a flood of customers that the bank that hires Kenneth (The Primary Trust of the title) and one waiter that helps Kenneth break out. She has the improv skill of morphing characters one after another, literally filling the town of Cranberry, New York. Andrew Lee Creech is Bert, Kenneth's only mental support network, and captures that nature of the bud who is always there for him. Rob Burgess is excellent both as the owner of the bookstore, and later as the bank manager, each with their own quirks. And Justin ("Lizard Boy") Huertas rounds out the cast ambient music throughout.
This is a good cast, and hits that point I like to make about Repertory companies, that you get to know the actors, not just the characters they portray. And they have good material to work with.
Eboni Booth is an incredible naturalist writer, and her characters emerge through their dialogue. The interrupt, they fill in each other sentences, they apologize, and they talk about nothing in an amazing realistic sense. She uses repetition to her advantage to show passage of time ("Welcome to Wally's!") and the nature of the community the play is set in (just about everyone says "Pardon My French" at least once). And the actors are up for it, their portrayals feel like real conversations.
The Lovely Bride pointed out that all the characters were nice. And she's right, All of them. There is no bad guy in this play, except for Kenneth's own crippling insecurities and blocks. And we find out why Kenneth is broken, and not only the WHAT of Bert but the WHY of Bert as well.
The stagecraft was great and not intrusive onto the action itself, scenery floating in and out. The main set is a sort of "Our Town" street, but it becomes Wally's, the bank, a snooty restaurant, a street, and it does so without poking too hard at the reality of the play itself. No big puppets needed.
This one falls into the "Go see" category, a pleasant way to spend the darkening, rainy afternoons and evenings. And sweet. Really sweet.
More later,.
