Tuesday, May 17, 2016

Political Desk: Primaries Matter, or Do They?

So, those of you in Washington State have received (yet another) ballot by mail. This one is for the presidential primary, due next Tuesday, May 24. You should review it, carefully consider the candidates, fill out the ballot, burn it, and bury the ashes in your backyard.

Wait, what?

I know, I know, I'm the goo-goo (good government) type who exhorts everyone to vote on everything. Off-year elections. Hospital Boards. Local taxes. Initiatives. Leader of the Legion of Super Heroes. How can I come before you with a straight face and tell you that you don't have to vote?

Well, to be honest, this really IS a case where your vote doesn't matter. Unless it does. Look, just follow along with me down the rabbit hole and decide for yourself.

Washington State doesn't always have a presidential primary. It didn't have one in 2008, because neither party wanted to spend the state funds on this. And that is one of the problems with primaries in this state - we the people are paying for them, but we the people don't really control them. I suppose it depends on your opinion of how deeply engaged the political parties should be with the actual running of government.

The de jure (by the rules) idea is that the parties are not officially part of the government, but are rather a good or service provided, and as such can choose their candidates any way they see fit, and should pay for the process themselves. That's a good idea.

The de facto (in reality) idea is that parties are an engrained part of the government, and the people support their internal processes with their taxes, and as such EVERYONE should be able to vote in everything. That's a good idea as well.

However, the process we have is that the parties choose how they're going to select the candidates, can exclude or ignore people, and we foot the bill. Sort of the worst of two worlds.

Add to that the frustration the fact that these elections are so far back in the nomination calendar that any choice we have is usually negated by what has gone before. Mind you, the Secretary of State has tried to change this, but the political parties would not budge from the late date. 

So, if all this doesn't convince you to ignore this situation, let's look at the process and how the parties treat the primary.

First off, you have to declare a party on the envelope. And your vote within should conform with your declared party. Really a Democrat but don't like to admit it? Really a Republican but want to vote for the Democratic Party? Kind of Independent? Fine. They've already said they aren't checking. You can be an Independent voter and decide you want to be part of the process, and if they ever check, merely say "Yes sir, I was a Republican when I voted in that primary. It was the worst five minutes of my life."

On the DEMOCRATIC Party side, they have said at the outset that this vote doesn't count - it is effectively a beauty contest, a state-paid poll. All the action has already happened in the caucus system. Under this system, people get together on a Saturday at the local level and chose, by mildly arcane processes, who they will support. It is democracy on the down-low, right in your face, and that's a good thing. It is also a marathon. The first caucus that everyone can attend chooses delegates, who then go to a second caucus, where the process occurs again, and then a third, winnowing the choices down to those who will go to the convention in New York and vote for their candidate.

This makes caucusing an activity for the hard-core - those who believe passionately for a candidate or have been deeply invested in the party for years. Because it happens over series of long, brain-numbing meetings, it tends to self-select even further to the most devoted and dedicated of the group. For the initial caucuses, a number of Facebook friends made the first hurdle, and then a few weeks later regretted the fact a few weeks later when they were trapped in six hours of meetings without break and had not even voted as minutia are being debated. As a result, the winner of a caucus can over time see their support erode or strengthen as the weak fall behind and are devoured by wolves.

The Democrats made an infographic.
At this year's Democratic caucuses, with the non-establishment candidate, Mr. Sanders, took the field, with 74% of the vote. So he'll get 74% of the 118 national delegates, right? Not quite. If everything holds, he get 74% of the 67 delegates that are chosen by this method. Another 34 delegates are chosen by the Washington State Democratic Central Committee, which in turn is made up of representatives chosen by the precincts (which again, are those who are invested in the system). Supposedly these 34 members are supposed to reflect the will of the caucus results as well. THEN there are the super-delegates, which you may have heard of.

These super-delegates of Washington State are 13 in number, and represent high muckities within the party at the state level - congresspeople, the governor, etc.  These folk are overwhelming declared supporters of Ms. Clinton, but there is an off-chance that the primary will have an effect on these votes, because, you know, will of the people and all that.. So your vote may have an influence on their ultimate decision. Or not.

Let me hit the candidates real quick:

Bernie Sanders is an excellent choice, and I respect delegates who are supporting him. I like a lot of what he says, and ultimately he would get my vote in November. Hillary Clinton is an excellent choice, and respect the delegates who are supporting her. I like her experience, directness and tenacity and ultimately she would get my vote in November. And since I WILL be voting for the Democrat this year, that makes the current huggamugga even less of a matter.

You may disagree with my conclusions. This is fine. I encourage you to engage your franchise.

On the REPUBLICAN side, they DO believe in the Primary. Kinda. But they have already had precinct caucuses back in February, and district caucuses more recently, and right after the Tuesday election with have the state convention which will decide who goes to Cleveland for the national convention. What they've done at each caucus is select delegates who who will then vote, supposedly, according to the results of the Primary.

But this applies to just the first ballot at the national convention. After that the delegates are free to vote their consciences, and there was a move afoot to stock the delegation with supporters of one candidate in the hopes that, should the election go more than one ballot, they would be free to change their votes. But that is not happening, in that Donald Trump has an apparent majority and will be the nominee on the first ballot. So right now a good chunk of the GOP is resigning themselves to voting for Mr. Trump, justifying it in name of party unity, of saving the Republic from Democrats, or in the forlorn hope that Mr. Trump might have better advisors to keep him from embarrassing them completely.

So, if you're a Republican, you don't need to vote because things are apparently already settled. Unless you feel the need to register a complaint about the process or the presumptive nominee. This is the political equivalent of a stern letter to the Times, but there are a number of candidates who have officially dropped out of the race, but who are still available to be voted on. Go engage your franchise.

I know what you're thinking - you don't like ANYBODY that is left in this demo derby of a political season. This would be the moment to go elsewhere, like the Libertarians. They have their OWN national convention, not being large enough to rate a place on the taxpayer-paid ballot, and have a slew of candidates, most of whom are still officially in the running. The main ones at the moment are a former GOP Governor of New Mexico, a guy who plays a Libertarian on Fox Business, and the founder of McAfee software, who has just returned from his adventures in Central America. Needless to say, they are all angry at each other. Because that's the type of year we're looking at.

So, there we have it. It is convoluted, messy, and in many ways patently unfair. Yet it is the system we have. I wouldn't blame you if you passed on this one - indeed, I will probably vote, out of habit if nothing else. Even though that I am fully aware that this will just encourage them.

More later,

Friday, May 06, 2016

The (Truly Amazing) Return of No Quarter (Part VII)

Before I start in on the quarters from the America The Beautiful series for this year (also called the National Parks Quarters, though most of them are not about National Parks), there's another matter I want to address.

Are quarters getting lighter?

I'm starting to wonder if it is simply nostagia, but it feels like the new quarters really weighing less than their earlier non-state-oriented kindred. Are the old quarters heavier? Is it just an illusion with the new ones being shinier? Or is it that the old quarters have all sorts of patina and junk built up on them over the years?

I don't have an accurate scale, but someone out there does. So really, is the reason we don't feel a comfortable jingle in our pockets because there is less metal in our change?

Anyway, on to this year's crop of collectible quarters. For those new to this (and shame on you, it starts way back here and here ), here's the rating system:

Way Cool =A
Not Bad = B
Kinda Lame (also known as Meh) = C
Very Lame = D
Not even vending machines will accept these = E

Let us begin:


Shawnee National Forest - Illinois

It's a pile of rocks. It's a very nice pile of rocks, as piles of rocks go, but still, it's a pile of rocks. Actually this particular pile of rocks is actually Camel Rock, one of the, um, attractions in Shawnee National Forest on the Ohio River, so far away from the REST of Illinois that it is almost Kentucky.

As a coin, its ,... just all right. I mean, not horrible. The use of white space to frame Camel Rock (which doesn't look MUCH like a camel - on the coin more like an AT-AT, really) is good. And the addition of a hawk soaring on the updrafts gives a badly-needed sense of animation and life.

But, you know, its still a pile of rocks, and the Western states have a lot bigger piles. 

Rating:  C (Just ... meh)

Cumberland Gap National Historical Park - Kentucky

Kentucky returns the favor of Illinois by choosing a location that's almost out of state as well, on the border with Virginia and North Carolina. But at least they have an excuse here - most the early settlers in Kentucky (those that did not come down the Ohio) came through this gap. This is the path that early pioneers like Daniel Boone (not shown) and Father Guido Sarducci (shown w/o mustache) and their ilk took to get through the Appalachians - looking for a bathroom, hence the inscription "The first doorway to the left, after the den."

And before we go any further - yes, he is holding that gun correctly. The whole over-the-shoulder-revolutionary-soldier look worked well enough for parade grounds, but if you're going over rough terrain, having your hand the lock is a pretty safe move. So yeah, that part's not going to get any flack from me. 

The layout is pretty nice, with the open white space forming a nice background for the lettering, One gripe would be that the hills behind Guido tend to blend in with jacket, making the pioneer look a little chunkier than he really is. But that's a minor thing, and may play out in the final carving.

Rating: B (Not Bad)

Harpers Ferry National Historical Park - West Virginia

Well, you have to give West Virginia its props. Not only are they commemorating an event that predated West Virginia's founding, but one that was one of the kick-off points for the Civil War.

Here's the story for those of you who did not binge-watch the Ken Burns series and have been wondering why John Brown's body has been moldering in that grave. In 1859, Abolitionist John Brown launched an attack on the US Armory at Harpers Ferry, planning to steal the weapons there and use them to arm a slave revolt. He had invited Harriet Tubman along for the raid (she cancelled because of sickness), and Frederick Douglass (who turned Brown down, telling him it was very, very, very stupid thing to attack the US Government). 

The raid went pretty much as you'd think it would - early success capturing the armory, followed by the raiders being surrounded and their escape cut off by townsfolk and militia. Brown's raiders pulled back to a more easily defended fire engine house (which is what is shown on the coin as "John Brown's Fort"). President Buchanan dispatched a marine detachment under (then) Colonel Robert E. Lee (on leave from his unit in Texas) . Lee arrived on the scene and sent his volunteer aide-de-camp, "Jeb" Stuart to meet with Brown and secure a peaceful surrender. Brown refused, and the military stormed the "fort". Ten raiders were killed, and seven more (including Brown) were captured and later hanged. The trial and unrepentant nature made Brown a cause celeb and ratcheted up the tension between north and slaveholding south.

The coin itself is a shot of that firehouse (now on that site in reproduction) from its brief time as a "fort". Three-quarters view, it fits the coin nicely, and lacks the animation of other coins, but is still a solide presentation of an important part of American History. Probably the best coin of this year's group.

Rating: B (Not Bad)

Theodore Roosevelt National Park - North Dakota

North Dakota has it rough - all the cool stuff (such as it is) is in South Dakota. They could have shown one of the local hoodoos (a local word for "pile of rocks") but instead managed to put together a nice coin that celebrates Teddy Roosevelt. Which, given the fact that he got this whole National Park thing going as a major franchise, makes a modicum of sense. It makes even more sense when you realize that Roosevelt, though a New Yorker, came out here a lot, and the state is littered with statues, parks, and monuments to the man.

Teddy spent some time in his 20s out in this neck of the woods, in his early, pre-Rough Rider era, post-mustache but pre-spectacles. The coin shows him on horseback because, you know, what else are they going to show? A pile of rocks? The river (That's the Little Missouri, FYI)? Bison from the state quarter that accidentally got all shot up? All the drilling sites that now surround the park, coupled with whiny notes from the companies griping that can't have THAT land too?

The coin itself is not bad at all. The Little Missouri snakes through the landscape, providing a band of white space and allows us to look down from a vista with Teddy. And and putting him on a high point, on horseback, captures the relative flatness of the land, which actually is a sell point for North Dakota, as it disappears in the badland hills far beyond.

Rating B (Not Bad)

Fort Moultrie (Fort Sumter National Monument) - South Carolina

OK, this weird, in that it commemorates something that happened at Fort Sumter, but not the BIG thing that happened at Fort Sumter. There is no Fort Moultrie National ANYTHING, but rather it is wrapped up as a part of Fort Sumter National Monument, and calling the Moultrie piece out monument out for a coin is kind of like praising Dennis Rodman's basketball career with the Chicago Bulls while Michael Jordan standing RIGHT THERE next to him.

What the coin commemorates is this plucky little fort standing up to a naval bombardment by the Brits, protecting Charleston from invasion (for a whole four years before more Brits showed up and took the city anyway). It portrays not a shriner with a Turkish flag but rather a Sergeant WIlliam Jasper returning a home-made flag to the ramparts at the start of the American Revolution. The fort was known as Fort Sullivan  back then, but commanded by William Moultrie, who repelled a British Naval force and had time to create the "Moutrie flag" which is shown on the quarter - a blue field with a white moon in the upper left. Actually, cool flag.  In any event, the Brits came back and captured the Fort four years later, and renamed it Fort Arbuthnot, and held it until the end of the war.

It's not a bad story, but kind of overshadowed by what happened just next door, where less than a hundred years later separatist forces fired on the United States garrison at Fort Sumter, kicking off the most bitter struggle on American soil (Because, as we know, attacking the US Government was a very, very, very bad idea). Moultrie is very nice and all, but given a choice, which would YOU name the National Monument after? If West Virginia can fess up to a heist film gone horribly wrong, then SoCare can at least say - yeah, this was important to history, even if it was not a particularly shining moment.

The coin itself is ... weird. Look at Jasper's feet, and how the rest of his body is twisted in the opposite direction. If he was using the flag as a bat and trying for a pop fly, maybe that pose would work, but rather it is replacing a flag while under assault by the Brits ... who are  ... behind him. It looks like he's leading the attack on the fort, which is not the case.

This is probably the strangest coin I've seen, part for carving, and part for subject matter.  There were other design candidates with a lot more promise (Here's a link to a picture of all the prospective candidates - most cases they have chosen the best of their group, though Shawnee coins are resolutely always a pile of rocks),

Rating D (Even subject matter aside, that pose is just weird)

That wraps this year. Next year is four states and the District of Columbia, where Fredrick Douglass gets the moment he missed when he decided to not go hang out with John Brown at Harpers Ferry.

More later, 

Tuesday, May 03, 2016

Play: Holmes Away From Holmes

Sherlock Holmes and the American Problem by R. Hamilton Wright, Inspired by the works of Sir Arthur Conan Doyle, Directed by Allison Narver

I went to a play on Sunday, and it was OK. It wasn't great, but it was OK, a nice comfy slice of product delivered by a theatrical vector. And I find that frustrating, given the strength of the rest of the season. It's a bit disappointing. And the whys and wherefores take me deeply down the rabbit hole.

So, naturally, spoilers follow.

Sherlock Holmes and The American Problem (SHatAP - no, I think I'll find another short-form to call it) is a local production. The playwright is an incredibly talented actor who I have tagged before. The cast have all showed up at the Rep and other local theaters before, with not a "previous worked all in New York and California and an episode of Law & Order and is happy to be making their Seattle debut" in the lot. So I'm expecting a lot from the local team.

In addition, this is a sequel, in that two years ago the same playwright co-wrote The Hound of the Baskervilles a few seasons back, with the same actors returning as Holmes, Watson, and Mrs. Hudson. But Watson is more of a supporting dullard this time out, and Mrs. Hudson lacking her sharp replies to Holmes boorishness and Holmes ...

Well, there are lot of different Holmses (Holmesi?) out in the popular media. Robert Downey Jr's action hero, Cumberbatch's though-palace Gallifreyan, the CBS's irritating detective in rehab. They share common traits and are all fair game in Holmisana.  The Holmes of the American Problem charts his own course. He is a much more emotional, a childlike and childish Holmes, often hoisted by his own petard, outwitted and outfoxed and frustrated.

The trouble is that American's Holmes is different than the Baskerville's Holmes. The Baskerville Holmes delighted in masked deception and could not accurate quote the classics to save his life. The American's Holmes suddenly likes anagrams, and has synesthesia - that is, he smells numbers and hears colors. That last one is a pretty interesting trait to build a play around, but instead, it comes across as Holmes entering a drug-fugue state, as the SFX swells and the color changes onstage to bring us in Holmes mind. OK, I can roll with it - not really the same Holmes, but it is one of several re-adjustments I make as I go through the play.

Our same-but-different Holmes is cast into a whirlpool of clues and happenstance. Plates from the Royal Mint have been stolen. A mystery woman wants Holmes to find her brother. A mechanical digging device is stolen from the docks. Several criminal leaders have been killed. Holmes' brother Mycroft shows up to demand Holmes attend a reception. Earthquakes in the East End. And all this during the Queen's jubilee, which for Homes means that London is awash with foriegners - sorry, with Americans like Buffalo Bill and Mark Twain.

That's a lot of balls to keep in the air, such that the final scene has to sum up and tell the audience what is truly happening. But I'm never sure when Holmes figures out things and why - more often he tumbles into his revelations, searching for one thing and finding another. For a man who hates coincidences, he is confronted them at every turn.

And, all the deductions made or sudden twists don't leave a lot of room for character development. Baskerville had a thematic spine to it, revolving around the Holmes/Watson relationship, and resolves with Holmes trying to be less of an A-hole about things. Here Watson is relegated more to supporting character, faithful aid and person Holmes gets to show off his brilliance to. Pity, that.

And, since it involves Americans, there are a LOT of gunshots in the play, sufficient to carve the queen's initials in the back wall. We've had explosives in Holmes presentations before, but this was a excess.

The actors are fine - Darragh Kennan as Holmes is a more passionate, random sort of Great Detective. Andrew McGinn is a dutiful Watson, and Marianne Owen is a frustrated Mrs. Hudson. Christine Marie Brown is good as the mystery woman, Phoebe Anne Moses, who tries to hire Holmes, and Alex Matthews as a Pinkerton (because, you know, American). Cheyenne Casebier takes on a dual roles as a female engineer (because why not) and a criminal gang leader. Chalres Leggett is an dour undertaker of a Mycroft, one of those flock of Mycrofts released from the Diogenes Club to pester Holmes. And Rob Burgess is a dotty brit pigeon fancier who is more than he seems.

But they all seems like they're struggling with the script, trying to deteremine the levels of mystery, tragedy, and humor in the play. As a result it all feels very thin, almost episodic - indeed, the final reveal almost promises another installment. One of my fellow attendees made the comment "As soon as I decided it was fan-fic, I was good with it."

Indeed. This has the trappings and tropes of Holmes, compacted is a nice, attractive package that will full the seats at the end of a championship season. Yet when all said and done it is aperitif, a pleasant little custard, workmanlike (god, how writers hate that term) but in need of a bit more time in the oven.

More later, but probably not about plays until we kick in the next season, which features a pop opera by David Byrne and Fatboy Slim about Imelda Marcos and set in a disco. May the Lord have mercy on us all.


Sunday, April 24, 2016

Play: Memorial

brownsville song (b-side for tray) by Kimber Lee, Directed by Juliette Carrillo, Seattle Repertory Theatre through April 24 (so, yeah, its already too late).

This is one we pushed back from our original date because of deadlines and other things, which is a pity, because it continues this year's exceptional run at the Rep. Were this play in other years, it would be a highpoint, but here it just continues this year's winning track.

brownsville song is a tragedy with a positive ending. Tray Thompson (Chinaza Uche) is a young man full of promise cut down in a gang shooting. And it is about both the boy and the hole he left behind, the play flips him like Schodinger's Cat, from alive to dead, from real to memory. Tray is an incredibly well-rounded, well-presented, well-acted character that caries the weight of the play. Uche carries him well as a talented young man, messing up, gifted in boxing, and struggling with a college application essay. Extremely human, made more so by playwright Lee's poetic text, which leaves nothing of the street behind but weaves its patterns throughout.

The survivors are his Grandmother Lena (Denise Burse), his sister from another mother Devine (two young actresses play this role - we got Leah DeLynn Dual for this matinee), and Devine's long-absent mom Merrell (Vanessa Kai). The three work through their own grief in different ways, and it is clear how Tray's shooting ripped through them as well and challenged them to go on.  Burse is the strongest as the grandmother who refuses to take any backtalk from her grandson or the rest of the world. Merrell slides back into Tray's life a little too neatly, but Kai carries her forward with both passion and a sense of desperation.

The plot slides back and forth in time like the settings, similar to the flying props and scenery of Luna Gale.  The actors spin and turn just as easily. And there comes a moment (and this is a bit of a spoiler, but show does close tonight) when Tray's message of hope for the future comes through. And he is dressed in his red boxing trunks, and a white t-shirt with stars and stripes.

And he's Captain America. Right at the moment. Everything that is right about a person, distilled down to that moment.

This was the last show, and the three rows ahead of us were pretty sparse, which is a pity. This has been one amazing season at the Rep, and it closes next with a gimme - a Sherlock Holmes play. Pity, because this one deserves a lot more attention.

More later,


Saturday, April 23, 2016

Political Desk: Local Funding

Some very, very few of you who read this in King County received ballots a few weeks back, which, like solicitations for public radio, you promptly put aside to be addressed/considered/recycled. Like the charity solicitations, they are asking for money. Unlike them, they are not offering a stylish tote bag. But dig it out anyway.

In our case, up on Grubbstreet, we have two things on the agenda. Oen is for approving bonds for Kent School District #415. The other is for re-authorizing an existing benefit charge to help pay for fire services for the Kent Fire Department Regional Fire Authority, which covers Kent and Covington.

And here's the regular complaint I have about such measures - we don't get to vote on tax breaks on large aerospace firms or legislator pay, but on things that you or I would consider basic services, the purpose of taxes in the first place, THAT we get to vote on.

But you've heard those complaints before. Let's get to the meat of the situation.

Kent School District No. 415 Proposition No. 1 Capital Improvement and School Construction General Obligations Bonds - $252,000,000 puts about everything in the title. This replaces retiring bond issues, and won't result in an increase in tax rate - you're voting for status quo. Its got a big list of improvements - two new schools, 20 additional rooms, new facilities and parking. A full list can be found here and here.

The problem is that this measure requires not just a majority, but a super-majority to pass. Thanks to the weirdness of our current casters-up tax law, this measure must pass with 60% of the vote. Let the court note that if a CANDIDATE gets 53%, people talk about a landslide victory. I think I can get 40% of the voting population to vote against anything, particularly if it involves taxes.

In any event, I will recommend voting Approved on this sucker, even though it doesn't talk about replacing the temporary school rooms at Glenridge, which have been there since I moved into the neighborhood over 15 years ago.

The other matter is Kent Fire Department Regional Fire Authority Proposition No. 1 Continuation of Benefit Charge, which continues an existing tax (so yes, keeping the status quo). This is not a bond but a benefit charge, supplementing the normal budget (but not exceeding 60% of the total budget (currently it is at 46%, down from the previous year)), and assigned based upon building use, floor space, hazardous materials, and the like (pretty much how much an effort it is going to be to put out a fire at that location).

It is, according to the Kent Reporter, ANOTHER one of those super-majority situations, where it doesn't just have to win, you have to win with 60% of the vote. And yeah, it is to keep doing what it's been doing. So YES on this authorization.

And finally, while I was writing this, the Voter's Pamphlet for the May primary showed up in my mailbox. So even when I get ahead, I get sucked back in.

In meantime, vote by this Tuesday. Here are the details.

More later,


Tuesday, April 19, 2016

DOW breaks 1700, I mean 1800!


Don't you just hate it when someone quits blogging for a month, and then come back with some lame excuse and a promise it won't happen again, and you're thinking "Yeah, right" and it will be another month before we hear from them again.

Well, in my case it is simply a matter of a new job (going very well, thank you) and a horrible commute (and no, I won't subject you to the details- bad enough my friends have to hear about it) and a couple outside projects that I was wrapping up, but the simple fact is I haven't had time or inclination to write. Which is a bit of a prob, since there are things I ALWAYS write about, like politics, and plays and collectible quarters. And the economy, as measured by the completely inaccurate Dow Jones industrials. (Yes, they're an inaccurate representation of the health of the economy in general, or even in your personal well-being, but still, they are reported daily on the news, so go figure). 

But even given my sabbatical, this was a fast turnaround. Only a few months back we were in the grip of the Dire Tremblies (which are like the regular tremblies, but a size class larger and equipped with horns that inflict double fire damage). Since then things have apparently righted themselves and everything is back to moving in a positive direction, which is weird. I mean, The Chinese economy is still a overheated as it was before. Greece is still broken. The oil market is flooded and may become worse. Heck, add to that the fact that the Panama Papers went live, telling everyone how the rich are hiding their money from the rest of us, and that Brazil is mired in economic hardships so bad that they are impeaching their president. Yet, the Stock Market prevails. Howcum?

Well, one theory, and this is a theory, is that the US Market is a safe haven for foreign funds. Relatively stable government, notwithstanding some of the actions of the GOP. Corporate-friendly leaders. Infrastructure hasn't quite fallen in on itself yet. All of that indicates a place where people want to put the cash. And the fact that it is separated from Main Street, which DOES have crummy infrastructure and old pipes, makes it even more accomodating. 

Just a thought.

More later

Sunday, March 20, 2016

Films: SIFF SFF SFF

11th Annual Science Fiction & Fantasy Short Film Festival, Cinerama Theatre, Seattle.

So yesterday Stan and I went down to the Cinerama in Seattle (not too far from where I work) to spend about five hours watching short science fiction films. This would be the Science Fiction & Fantasy Short Film Festival, presented by the EMP and SIFF (Seattle International Film Festival).So yeah, it is the SFF SFF presented by SIFF.

The reason for us going was that a friend from WOTC, Cindi Rice, was a producer on one of these pieces. She wasn't go to make the showing, but knew that the director, Reed Shusterman, was going to make it, and had some extra tickets. Hence, Cinerama theatre, Saturday afternoon for about five hours, encompassing 19 films.

Their film is Goblin Queen, and (spoilers) was my fave of the group. The setup is pure Disney Channel - teenage girl finds magic amulet that transports her to a fantasy universe. What makes it cool is that it does not follow the girl, but rather her mother - a bit of a control freak, who is dealing with her daughter disappearing at a moment's notice. And then when things from the OTHER universe comes spilling into ours, things get wild. Goblin Queen is well-written and well-acted, but what really makes it a fave is that it works without a huge amount of special effects. Tightly-packed and concise, kept to the small house in the real world, it worked its magic without a lot of post-production (Indeed, in the after-movie interviews, the directors who made it to the festival complained that their films were two days to shoot, two years to get the post-production right).

One thing I also liked about Goblin Queen was the sense of resolution to the film. A lot of the short films shown are demos, teasers, trailers, or proof-of-concepts for potential larger films. The problem is that if they don't resolve the story, they leave the viewer hanging. There was a lot of that in the festival - Aden (winner of the Judges Prize and the Douglas Trumbull Award for Visual Effects) was an extremely well-done, well-conceived, well-executed chase sequence between an agent of unknown origins and child's mechanized imaginary friend, but it was the first ten minutes of an unfinished movie. The Garden, a tale of humanity integrated into AIs is excellent but also felt like it strained to be a full feature. Mis-Drop, a take on a green soldier going into battle, would be a great first five minutes of a video game. The Red Thunder WOULD be the first five minutes of a Disney Channel show where a teenage girl borrows her mom's car and discovers her mom's secret.

All this is well and good (and make no mistake, these are short films that if they grow up to long films, I would watch), but all left me with more questions than answers.

Then there are the WTFs - In Bionic Girl a scientist creates an big-headed android duplicate who replaces her and sends her to hell (There's a lot of singing. In french). Disco Inferno starts with Hammer-Film virgin sacrifice and ends with an office party and has a lot of weirdness in between. Tristes Deserts (A Robot's Tale) was described on Twitter as a Daft Punk video, and involves a white robot with an Elizabethan neck ruff fighting an ebony octopus. And poodles. There are poodles involved.

OK, but what else did I LIKE? Frost, a tale of arctic hunter scavenging in a sleeping city was extremely evocative. The No Look Dunk was cute and short and played with time travel just as long as it had to. Juliet links sex doll robots with iPhones in news clips and commercials.

And The Brain Hack. Serious seizure warning on this one. No, not kidding. This one took the Audience Award, was an excellent, subversive, knowing film that built suspense mercilessly in a film about a refining images to stimulating the "god" center of the brain. Its very good, and got me seriously creeped out, and would not be out of place at the HPLovecraft film festival.

All in all? Good. If you get a chance to see these films (and some are on YouTube or Vimeo from the links above, while others get attached to other films in showing), hunt them down.

More later